We are lonely; we are obsessed with love; we are profoundly disappointed, and we still seek hope. These paintings reflect that isolation, detachment, regret, and the desire to transcend disconnection through redemption, intimacy, and wholeness. While non-autobiographical, the passion and affliction in these works are familiar to me, as I expect they are to many people. In terms of the style of the paint handling of the figures, I have been interested in the stark lighting of Caravaggio, the intense emotional confrontation of Jenny Saville, the sexual tension of Eric Fischl, and the mutability of flesh of Lucien Freud, but the crux has been to find the style to carry the weight of the concept. They are portraits of feelings, of the unspoken pains, hopes, and moments of the Everyman of contemporary culture. They echo experiences, feelings, desires, or fears that we recognize from memories and the possibilities of our own lives. They are not an elegy to innocence, but a remembrance of the process of breaking and repairing ourselves.
Kelly McConnaughey was born in Huntsville, AL and graduated with honors in 2010 from Boston College, where she studied Studio Art and Philosophy. There, she painted her thesis on Emotion and Sexuality, received the Stylus Award for best contribution to Boston College's literary magazine publication, headlined as featured artist in the Spring 2010 Student Show, and was awarded the Richard and Marianne W. Martin Memorial Award in recognition of high academic and creative achievement in Studio Art. She has facilitated the collaborative creation of 7 community youth murals in Alabama, Peru, South Dakota, and Detroit. McConnaughey taught art in Yungay, Peru and Pine Ridge Indian Reservation, SD, where she lived and worked for three years while taking classes in Lakota language and traditional Lakota art skills. In 2013 she moved to Detroit to work as Creative Director and Curriculum Illustrator of Superhero Training Academy, a local nonprofit, but continues painting as often as possible.